
recording services
Pricing: $40/hr
This price includes
basic editing
and mastering.
Additional costs:
◉ Splicing - $5/per
(recording in sections)
◉ Rush - $5/track and
I can make it available
the day we record.
◉ CD Labels - $2/cd
◉ CD Cover Design -
$40 includes front and
rear insert and label.
Recitals:
Junior - $70
Senior - $80
Graduate - $90
announcements
|
RECORDING SESSIONS This Fall I will be trying to schedule recording sessions on Fridays and Saturdays in blocks of time where I can hopefully record multiple people so that we can coordinate the booking of recording space, my schedule, your schedule, and an accompanist's schedule. I will post that information here as it becomes available.
My schedule is open most Friday evenings,
Saturday evenings, Sundays after church. Other arrangements can be
made. Contact me for details! |
|
FREQUENTLY ASKED
QUESTIONS:
Q: How long will it take to record 5 arias? A: You want TWO sessions because that's too much to record well in one but it has been done. Different people take different amounts of time, but generally budgeting for 30 - 45min/song usually turns out to be enough time.
Q: What is your experience in recording? A: I started recording as an educational tool, then did my own recitals, then my friends, then audition CD's and it's turned into something I really love. I've been doing them for 7 years mostly recording singers although they are the hardest thing to record well. Check out my samples!
Q: What kind of equipment do you use? A: I use a Fostex digital multi-track sound board and generally large diaphragm condensor microphones. Most commonly I use a Rode NT1A and an Audio Technica 4040.
Q: Where do we record? A: Usually since I record mostly students we do it at the University in a recital hall such as at UH's Dudley Hall or The Choral Recital Hall. Practice rooms are terrible! Teacher studios have worked well in instances but your best bet is to reserve a hall - especially for singers! Churches also work well and I've done many recordings in them.
Q: What's the best way to get a good recording? A: Be prepared and practice with your accompanist! Don't ruin a good take by having an accompanist that is sight reading! Also, remember you love what you're doing.... it's easy to get tense and frustrated, so pace yourself well and have lots of energy! I always try to help with the energy, but coffee works too!
|